Dafoe says he saw his relationship to acting shift in tandem with the stages of life. He started out an extrovert, performing for the attention. Then it turned into an adult affair: “Once you start working, you use that as a means to survive.” For those who stick with it, the study of the craft takes over; the extroversion turns inward. “And then,” he says, “it becomes like a spiritual thing — to find your connection with all things.” He seems, in one sense, to be racing against time — to be seizing on his hard-won status to work as often as possible, in roles that are as physical and challenging as possible, while he still can. Other actors slow down over the years; for Dafoe, a sense of mortality makes all the more compelling his desire to “melt into things,” as he says, choosing parts that connect him to something bigger than himself.